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	Comments on: How do you get tickets to a film premiere?	</title>
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		By: London film premieres 2022 / 2023		</title>
		<link>https://markmeets.com/film-premieres/how-do-you-get-tickets-to-a-film-premiere/#comment-14258</link>

		<dc:creator><![CDATA[London film premieres 2022 / 2023]]></dc:creator>
		<pubDate>Fri, 14 Jan 2022 16:10:56 +0000</pubDate>
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					<description><![CDATA[[&#8230;] How do you get tickets to a film premiere? [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] How do you get tickets to a film premiere? [&#8230;]</p>
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		By: How accurate is Wes Anderson’s new film The French Dispatch about France		</title>
		<link>https://markmeets.com/film-premieres/how-do-you-get-tickets-to-a-film-premiere/#comment-14050</link>

		<dc:creator><![CDATA[How accurate is Wes Anderson’s new film The French Dispatch about France]]></dc:creator>
		<pubDate>Thu, 28 Oct 2021 05:20:10 +0000</pubDate>
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					<description><![CDATA[[&#8230;] Tickets to a film premiere are like a good cheese, very expensive and a great experience, now in this film we are immersed in a fast-paced and densely packed world of high jinx and zany characters. In Anderson’s fantastical version of post-war France we meet a (literally) tortured artist living in an asylum, his sexy uniformed jailer who strips off to become his nude muse, an adorably ruffled student rioter (played by Timothée Chalamet, naturellement), and a transcendently talented haute-cuisine chef. And while the cultural tropes presented by these characters are, of course, exaggerated, there is some truth in them.&#160;The film’s first vignette — the story of a murderer who produces era-defining artwork from inside his asylum cell – has the importance of art at its heart. While the association of France with the visual arts may be overdone, there is no doubting that this is still a society where art and beauty are seen as intrinsically valuable. As a practical example, the legally recognised status of ‘Artiste’ still brings privileges, such as access to housing, tax breaks and subsidised health insurance (with special annexes for art-related accidents).&#160; [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Tickets to a film premiere are like a good cheese, very expensive and a great experience, now in this film we are immersed in a fast-paced and densely packed world of high jinx and zany characters. In Anderson’s fantastical version of post-war France we meet a (literally) tortured artist living in an asylum, his sexy uniformed jailer who strips off to become his nude muse, an adorably ruffled student rioter (played by Timothée Chalamet, naturellement), and a transcendently talented haute-cuisine chef. And while the cultural tropes presented by these characters are, of course, exaggerated, there is some truth in them.&nbsp;The film’s first vignette — the story of a murderer who produces era-defining artwork from inside his asylum cell – has the importance of art at its heart. While the association of France with the visual arts may be overdone, there is no doubting that this is still a society where art and beauty are seen as intrinsically valuable. As a practical example, the legally recognised status of ‘Artiste’ still brings privileges, such as access to housing, tax breaks and subsidised health insurance (with special annexes for art-related accidents).&nbsp; [&#8230;]</p>
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