Jack and the Beanstalk reviews at the Lyric theatre Hammersmith ★★★★

“A zesty mix of giants, Titanic and Greggs sausage rolls”

“The Lyric Hammersmith’s panto is a slick, gag-rich affair, heavy on the jolly set-pieces and pleasantly light on the political asides”

“Happily for the Lyric, Nicholai La Barrie’s production is a triumph, filtering Jack’s rags-to-riches story through a street carnival-meets-acid house aesthetic, all set to a sound-clash soundtrack (Titanic, Whitney Houston and rap).”

“There’s a stand-out star turn from Emmanuel Akwafo’s Dame Trott, who first appears dressed as a milkshake and combines smelling-salts fragility with an X-rated leer; she repeatedly steals the limelight from her thoroughly neglected son Simon, the kinetic Finlay McGuigan (who spends most of the production fruitlessly trying to stage a magic show).”

“The ticker tape and fake snow are easy ways into audience hearts, yet here they’re both fully-earned parts of a joyous whole. There’s a cost-of-living crisis out there, but you’d never know it at the Lyric panto – and that’s precisely why it’s worth a trip.”

“Emmanuel Akwafo brings the house down”

“Entertaining and appropriately defiant pantomime that puts community at its heart”

“Christian and Jalaly’s book plays fast and loose with beanstalk mythology, adapting aspects of the story to suit their off-beat innovations. Political gags are few – as a wry, early joke points out, the government’s policies and behaviour are no laughing matter – but this is clearly a fairytale designed to make people sit up and take note. It’s also extremely funny, accompanied by some fantastic, over-the-top performances and Arielle Smith’s dynamic choreography.”

“Central to the success of any pantomime is a strong dame, and Emmanuel Akwafo is a triumph. Outrageously self-centred and garishly costumed, Akwafo is utterly adorable as Dame Trott, especially when in diva mode.”

“Pun-filled, udderly brilliant panto”

“This Jack and the Beanstalk is a sequin-clad riot of kick-ass choreography, streetwise silliness and jokes about everything from Boris Johnson’s golden wallpaper to Schrödinger’s cat.”

“The Lyric has a reputation for pantos that are as hip as they are hilarious, and Jude Christian and Sonia Jalaly’s script nicely fuses the kind of humour that makes tots squeal with laughter with savvy storytelling for adults.”

“Nicholai La Barrie, associate director of the Lyric, directs, deftly balancing all the elements of panto so that it feels enjoyably quirky rather than formulaic. Good Teeth’s set and costume design are filled with ingenious flourishes, including a flying cow, the obligatory fake snow and a Minecraft-style giant.”