Exploring the Rich World of Hitman & Assassin Movies Referenced in Glen Powell’s "Hit Man"

The Unique Blend of “Hit Man”

Hit Man, the latest film from director Richard Linklater, featuring Glen Powell, is a remarkable blend of genres that include screwball comedy, action, and film noir. This cinematic cocktail is enhanced by the clever use of classic hitman and assassin movies. Powell, who gained widespread recognition for his role in Top Gun: Maverick, delivers a versatile performance as a college professor turned assassin. Hit Man has received critical acclaim, boasting a 97% rating on Rotten Tomatoes, just edging out Top Gun: Maverick. Released on Netflix on June 7, 2024, it quickly became a popular title on the platform.

The film cleverly explores the theme of identity through Powell’s dual roles as Ron and Gary. It also stars Adria Arjona as Madison, who becomes the unexpected love interest of Gary. Madison mistakenly believes Gary is actually Ron, a suave and dangerous assassin. Linklater’s Hit Man is lauded as one of his best works, seamlessly merging multiple genres into a cohesive and entertaining narrative.

The Influence of Hitman & Assassin Movies in “Hit Man”

At around the 18-minute mark in Hit Man, a voiceover monologue by Powell’s character Gary discusses the allure of hitman movies. He suggests that the prominence of these films, coupled with the consumerist notion that anything can be purchased, has led people to believe they can easily hire a hitman. To illustrate this point, Linklater incorporates clips from several classic hitman and assassin movies. Here are the notable films referenced in Hit Man:

Classic Hitman Movies Featured in “Hit Man”

10. This Gun For Hire (1942)

This Gun For Hire is one of the earliest and most influential film noir movies featuring a hitman. Alan Ladd stars as Philip Raven, a hired killer who becomes embroiled in a complicated plot involving blackmail. Veronica Lake co-stars, adding to the film’s allure. Directed by Frank Tuttle and based on Graham Greene’s novel A Gun For Sale, this film helped establish many of the tropes associated with hitman movies, including the enigmatic assassin and the femme fatale. Its influence is seen in subsequent hitman films and is subtly referenced in Hit Man.

9. The Mechanic (1972)

The Mechanic, starring Charles Bronson as the methodical hitman Arthur Bishop, is another classic referenced in Hit Man. Directed by Michael Winner, the film delves into the meticulous nature of a professional killer and the complexities of his relationship with a younger protégé. Scenes featuring envelopes full of cash and a dramatic kill next to a chicken delivery van highlight the gritty, calculated nature of Bishop’s work. This film’s themes of mentorship and betrayal resonate within Hit Man, adding depth to Gary’s character.

8. Branded to Kill (1967)

The 1967 Japanese film Branded to Kill is an unconventional hitman movie that plays a significant role in Hit Man. Directed by Seijun Suzuki, it follows hitman Gorô Hanada, who faces dire consequences after a failed assignment. This film is known for its avant-garde style and surreal elements, such as the protagonist’s obsession with the smell of rice. Linklater’s inclusion of this film in Hit Man underscores the idea of breaking conventional tropes and exploring the more bizarre aspects of the hitman genre.

7. A Colt Is My Passport (1967)

Another Japanese noir thriller, A Colt Is My Passport, directed by Takashi Nomura, is referenced in Hit Man. The film follows hitman Kamimura, portrayed by Joe Shishido, who is pursued by rival gangs after fulfilling a contract. The film’s cinematography and Western-inspired soundtrack are notable, and its influence is evident in Linklater’s approach to blending different cinematic styles in Hit Man. The film’s depiction of loyalty and revenge aligns with the themes explored in Gary’s journey.

6. The Hired Killer (1966)

The Hired Killer, also known as No Way to Treat a Lady, features Robert Webber as a hitman planning his final job before retirement. Directed by Francesco Prosperi, the film stars Franco Nero and explores themes of deception and the consequences of a life of crime. Although it’s not as widely recognized as other hitman films, Linklater’s decision to include it in Hit Man highlights his appreciation for lesser-known works and their contribution to the genre.

5. Mr. Inbetween (2018-2021)

The FX series Mr. Inbetween is a modern take on the hitman genre, showcasing Ray Shoesmith, a hitman balancing his criminal activities with family life. Created by and starring Scott Ryan, the series ran for three critically acclaimed seasons. By including clips from Mr. Inbetween in Hit Man, Linklater bridges the gap between classic and contemporary interpretations of hitmen, highlighting the enduring appeal of these characters.

4. The Good, the Bad and the Ugly (1966)

Sergio Leone’s The Good, the Bad and the Ugly is not a traditional hitman film, but its themes of greed and survival resonate with the genre. The film features Clint Eastwood, Lee Van Cleef, and Eli Wallach in a tale of bounty hunters and outlaws. A scene where Van Cleef’s character executes a covert murder is included in Hit Man, emphasizing the idea of violence as a means to an end. This classic Western’s influence on the portrayal of cold, calculated killers is apparent.

3. Dial M For Murder (1954)

Alfred Hitchcock’s Dial M For Murder is a classic thriller that revolves around a plot to murder a wealthy wife. Starring Ray Milland and Grace Kelly, the film is a masterclass in suspense and deception. In Hit Man, a brief clip from this film underscores the meticulous planning involved in executing a perfect crime, paralleling Gary’s strategic approach to his dual life.

2. Barry (2018-2023)

Barry, the HBO series created by Bill Hader and Alec Berg, offers a darkly comedic take on the hitman genre. Hader stars as Barry Berkman, a hitman who discovers a passion for acting. The series balances humor with intense action, mirroring the tonal shifts in Hit Man. By referencing Barry, Linklater acknowledges the modern evolution of the hitman archetype, blending dark comedy with the existential crises of a killer.

1. In Bruges (2008)

In Bruges, written and directed by Martin McDonagh, is one of the most celebrated dark comedies in the hitman genre. Starring Colin Farrell and Brendan Gleeson as two hitmen hiding out in Bruges, Belgium, the film explores themes of guilt, redemption, and the absurdity of their profession. In Bruges is a fitting reference in Hit Man, as both films navigate the complexities of their protagonists’ identities and the moral ambiguities of their actions.

Thematic Exploration and Influence of Hitman & Assassin Movies

Identity and Duality

One of the central themes in Hit Man is the concept of identity and the duality of human nature. Gary’s transformation into Ron parallels the multifaceted personas often portrayed by hitmen in cinema. For instance, in Branded to Kill, Gorô’s obsession with rice and his meticulous nature highlight the quirks and complexities of a hitman’s identity. Similarly, The Mechanic explores the mentor-student dynamic, revealing the layers beneath the surface of a professional killer.

Consumerism and Commodification

Gary’s voiceover in Hit Man touches on the idea that hitmen have become commodities in popular culture, a notion reinforced by the referenced films. This Gun For Hire and The Hired Killer depict hitmen as tools for hire, reflecting the consumerist mindset that anything, including murder, can be purchased for the right price. This theme is crucial in understanding the societal fascination with hitman and assassin movies.

Cinematic Style and Innovation

Linklater’s use of classic and contemporary hitman films in Hit Man showcases his appreciation for the genre’s cinematic style and innovation. The stylized violence and visual flair of A Colt Is My Passport and Branded to Kill are echoed in Hit Man’s own aesthetic choices. The blend of screwball comedy, action, and film noir in Hit Man pays homage to the genre’s rich history while pushing its boundaries.

Morality and Redemption

The moral dilemmas faced by hitmen are a recurring theme in the genre. In Bruges and Barry both delve into the psychological turmoil and quest for redemption experienced by their protagonists. In Hit Man, Gary’s internal conflict and eventual redemption arc mirror these themes, adding depth to his character and the narrative.

Conclusion: The Legacy of Hitman & Assassin Movies in “Hit Man”

Hit Man is a testament to the enduring appeal and versatility of hitman and assassin movies. Richard Linklater’s inclusion of clips from classic and contemporary films within the genre not only enriches the narrative but also pays homage to the films that have shaped our understanding of these enigmatic characters. By blending elements from these iconic movies, Hit Man offers a fresh take on the genre while celebrating its legacy.

Whether you’re a fan of noir classics like This Gun For Hire, modern series like Barry, or the dark comedy of In Bruges, Hit Man provides a rich tapestry of references that enhance the viewing experience. As Gary navigates his dual life, the film invites audiences to reflect on the multifaceted nature of identity, the commodification of violence, and the enduring allure of the hitman archetype.

In conclusion, Hit Man is a must-watch for fans of hitman and assassin movies, offering a unique blend of genres and a thoughtful exploration of the themes that make these films so captivating. So, if you’re ready for a thrilling ride through the world of cinematic assassins, Hit Man is the perfect film to add to your watchlist.

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